8/18/2023 0 Comments Omd full album![]() The pressure of finishing the album on time, while working 19-hour days in a basement room with "very peculiar acoustics", served to damage rapport between the exhausted group members. OMD had reservations about Hague's production, which McCluskey felt approached "dullness" Humphreys admitted publicly at the time, "It's a little smoother than we would have done it ourselves." Mixing was completed at Advision, London. Hague would heavily influence the feel of Crush, employing a meticulous approach and largely streamlining the band's sound. The group began recording with Hague in spring 1985 at The Manor, Shipton-on-Cherwell. Humphreys explained, "We were looking for a more band-type sound, since a lot of people have been telling us for ages that they like the way we sound on stage." Īs OMD set their sights on breaking America, Virgin Records suggested American producer Stephen Hague, of whom the band were fans. The group employed a greater use of organic instrumentation during the sessions, as many of the Fairlight-generated sounds came to be replaced by the live playing of Martin Cooper and Malcolm Holmes (and session musicians Graham and Neil Weir). OMD continued to make use of the Fairlight CMI sampler keyboard, which had been introduced on predecessor Junk Culture (1984). Bandleaders Andy McCluskey and Paul Humphreys averaged a new composition every two days, with much of the lyrical content coloured by McCluskey's blossoming relationship with girlfriend (and future wife) Toni. The group booked Amazon for two months and tried to embrace a more relaxed, almost spontaneous approach to songwriting. With OMD's Gramophone Suite studio now dismantled, the band commenced work at the more sophisticated Amazon Studios (also in Liverpool) in late 1984. The band were keen to approximate their live form on Crush, although producer Stephen Hague opted to introduce a more polished sound to the US market. Three singles were taken from the record " So in Love" became the group's first hit on the US Billboard Hot 100, where it peaked at number 25.Ī long-form video, Crush: The Movie, was also released, showing the group discussing their career and performing the songs from the album. It remained on Canada's RPM chart for 43 weeks from 13 July 1985 to. Crush nevertheless received critical acclaim in the UK and became OMD's only top-40 album on the US Billboard 200. The hectic recording and promotion schedule served to diminish morale among the band, who also had reservations about Hague's sleek production. During recording the band employed a greater use of organic instrumentation than in the past.Ĭrush was completed within a limited timescale, with group members later expressing regret over not challenging label-enforced time constraints. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. It is the first of two OMD studio albums to be produced by Stephen Hague. Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. ![]()
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